Showing posts with label national. Show all posts
Showing posts with label national. Show all posts

Monday, February 1, 2010

TOUR: National Tours for Spring 2010

by Trish Causey

"Broadway Across America" presents the official national tours of Broadway favorites in 32 cities across the United States and 9 cities in Canada. With the upcoming tour of BILLY ELLIOT and possible tours for recently closed FINIAN's RAINBOW, now is a great time to see Broadway classics.

The productions currently touring offer something for everyone in the form of award-winning Broadway shows as well as shows touring before making the jump to Broadway. Musical phenomena like MAMA MIA!, WICKED, or A CHORUS LINE are currently on tour, plus family shows including MARY POPPINS, ANNIE, and LITTLE HOUSE ON THE PRAIRIE. Quirky or risque shows are also fun to see: THE 39 STEPS, AVENUE Q, ROCK OF AGES, or SPRING AWAKENING.

CELTIC WOMAN, RIVERDANCE, and RIGOLETTO are specialty productions featuring mostly vocals or dance. WEST SIDE STORY, CATS, and FIDDLE ON THE ROOF are legendary shows coming to a major cities around the U.S.

http://www.broadwayacrossamerica.com/

TOUR: BILLY ELLIOT to start tour in Chicago

by Trish Causey

BILLY ELLIOT kicks off its national tour with an extended stay in Chicago beginning March 18th!

The triple-cast role of "Billy" features triple-threat performers Tommy Batchelor, Giuseppe Bausilio and Cesar Corrales. Though young in years, these boys are professional actor/singer/dancers who have worked in theatre, ballet, and opera.

The Broadway production has earned phenomenal financial and critical success, thanks in part to the music by Sir Elton John, choreography by Peter Darling, and direction by Stephen Daldry. Based on the film of the same name, the Broadway production is an award-winning, inspiring tale, exploring a boy's pursuit of his dream to dance.

The American national tour opens March 18, 2010, at the Ford Center for the Performing Arts, Oriental Theatre in Chicago. As thousands of people around the country will share in "Billy's" journey to dance, American boys will get the chance to see that ballet, dancing, and gymnastics are respectable (and manly) artforms of expression, not relegated only to little girls in pink tutus.

BILLY ELLIOT has a running time of 2 hours, 45 minutes. Tickets for the Chicago production are available here: http://www.billyelliotchicago.com/tickets.php

BWAY: Bittersweet Welcome to 2010

The year 2010 has gotten off to a rocky start for Broadway. RAGTIME and FINIAN'S RAINBOW, two shows that seemed destined for long runs, both closed after only a few months on the Great White Way. But other favorites, AVENUE Q and THE 39 STEPS are enjoying a transition to smaller houses, going from Broadway to Off-Broadway houses---but at least, they're still running.

For big musicals like RAGTIME and FINIAN's RAINBOW, venues large enough to contain a large cast and real orchestra in the pit are in short supply. (Not to mention, the lack of money available to front a move, from the producers' perspective.) Either way, it is sad to see the traditional musical swept aside.

Other musicals, such as FELA! , BILLY ELLIOT, and WEST SIDE STORY seem to be holding their own and recouping their investment, while WICKED is still breaking box office records. Let's hope that national tours are in progress and that the rest of the country will get the chance to see the RAGTIME and FINIAN'S on the road.

Sunday, November 22, 2009

National Musical Theatre Week Campaign

Allow me to indulge myself as I promote my newest cause: the National Musical Theatre Week Campaign.

Sure, we could do this in name only. However, my goal is to have a National Musical Theatre Week officially proclaimed by the U.S. Congress and signed into reality by President Obama.

I could go into how cool it is to wear the awesome costumes, the zany wigs, the pounds of make-up, or sing your heart out to thunderous applause. Then there's the fun and frivolity of being in a cast -- the backstage dramas, the camaraderie of going out after the shows, or the bittersweet yet wild cast parties. Instead, I will use logic to support my cause because the bureaucrats probably will not buy my testimony: "Because musical theatre is my love and my life, and it's awesomely fun!!!!!!!!!!!!!!!!!!!!"

The arts are systematically being stripped from school curriculum, and the notion of being on stage is seen as frivolous. The truth about musical theatre (or straight theatre, or dance, or opera, but I'm here to promote Musical Theatre) could not be further from the truth.

To quote my newest favorite show, "Pushing Daisies" (starring Broadway stars Kristin Chenowith, Ellen Greene, and Swoozie Kurtz), the facts are these:
  • Musical Theatre can be the perfect blend of art and science, human and technology.
  • Music is the mathematics of sound, using intervals, pitch, and rhythm to convey emotion. Also, research proves that music engages activity in the entire brain, something that science, math, reading, and language alone cannot do.
  • Theatre is a means of expression, allowing kids to channel emotions through a constructive process rather than succumbing to destructive "coping" means such as alcohol, drugs, or gangs.
  • Working on a show teaches basic social skills as well as working as a team to achieve a goal. Everyone matters.
  • Science and math are more viable to students in the real world of the theatre of illusion. Try building a safe, effective set without knowledge of physics, algebra, and geometry. Make costumes without understanding scale, proportions, and fractions.
  • Lighting design and execution rely on a solid background in electrical wiring and an artistic eye for mood and atmosphere.
  • Sound Engineering involves the science of acoustics, which includes physics and sound dynamics.
  • Stage Managers and Production Managers must have leadership skills, the ability to work with department heads, follow a schedule, resolve problems quickly and efficiently, and get the job (the show) done.
  • The world of theatre in New York is a $6 BILLION per year industry. The theatre industry in Chicago, Washington, DC, Miami, Houston, San Francisco, and other big cities also contribute to the business of theatre creating jobs not only for stage performers, designers, and technicians, but also the arts organizations who employ staff and teachers. Then there's the "trickle down" effect of local teachers who operate schools for acting, voice, dance, and music lessons.
  • Musical Theatre, produced by a local company or brought in by a traveling band of national tour thespians, promotes tourism, boosting the local economy of local business owners and earning tax dollars at hotels, restaurants, and gas stations.
  • And it's awesomely fun!!!!!!!!!!!!!!!!!!!!.... oops... sorry...

Join the cause: http://www.facebook.com/pages/National-Musical-Theatre-Week-Campaign/213118461958

Spread the word!

trish

Friday, November 13, 2009

AUDITION Notices - USA

Source:
http://casting.backstage.com/

Tuesday, November 3, 2009

DREAMGIRLS' tour to open at the Apollo

by Trish Causey

The Tony- and Oscar-winning musical sensation, Dreamgirls, is making a spectacular comeback! Scheduled to premiere at the legendary Apollo Theatre on November 7, 2009, this new production already has theatre-goers buying up tickets for the national tour.

The newest incarnation of Dreamgirls is a visual feast in its dazzling simplicity under the direction of Robert Longbottom. Almost 30 years since it first premiered on Broadway, the story of talented hopefuls with stars in their eyes is a timeless tale. Cast through an open audition process, the new national tour stars Moya Angela (Effie), Syesha Mercado (Deena), and Adrienne Warren (Lorrell) as "The Dreams."

The original Set Designer, Robin Wagner, was brought back for the new production. Wagner’s pared-down set includes LED lights and moving panels that rotate to change the visual shape of the stage throughout the production.

Theoni Aldredge’s original costume designs that perfectly evoked the 1960’s Motown era inspired William Ivey Long’s new creations. He utilized modern fabrics to facilitate the singers’ and dancers’ movements across the expansive stage, while retaining the glitz and glam of starlets on the rise to success.

The story follows three friends: Deena, Ellie, and Lorrell, as they pursue their dream of stardom as an all-girl singing group, “The Dreammettes.” Deena is the lead singer while Effie and Lorrell sing backup.

An agent discovers them and sets them on the course to fame and fortune. However, that course also includes a grueling test of friendship as Effie becomes more popular than Deena.

The original Broadway production of Dreamgirls opened in 1981, turning the theatre world on its ear, and made stars out of its lead singers, Jennifer Holliday (Effie) and Sheryl lee Ralph (Deena). Powerhouse belter, Holliday, became world famous for her emotional performance of Effie’s song, “And I Am Telling You.” She released her version of the song in 1982. It became a #1 hit on Billboard's R&B charts and earned Holliday the 1983 Grammy Award for "Best R&B" performance by a female.

The musical was a smash success and inspired the film version of Dreamgirls in 2006. The movie was an unequivocal success, albeit controversially, as life imitated art. The film made an overnight star out of newcomer, Jennifer Hudson (Effie), leaving ho-hum reviews for internationally known singer, BeyoncĂ© (Deena). As proof of Hudson’s gut-wrenching performance and soul-stirring vocals, she won an Academy Award for her role as Effie.

The music of Dreamgirls has certainly stood the test of time. Composer Henry Krieger even wrote a new song for the new production, “Listen.” Used in the 2006 film version, he rewrote the lyrics to evoke the stage dynamic between Deena and Effie.

“To be able to write a song for it, it’s as if I’d never put my hands off the keyboard.”
Henry Krieger, composer

This song is not all that is new. Co-Choreographer Shane Sparks, from TV’s “So You Think You Can Dance?,” flavored the theatrical dancing with street Hip-Hop for a modern edge to this stage classic.

The new Dreamgirls production opens at the Apollo Theatre in Harlem November 7th and travels around the country on a 14-city tour through June 2010. Get your tickets through the website: http://www.dreamgirlsonstage.com/ , and be apart of the Dream.